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The goal is to get very specific (shades of colors, texture, etc.) but to communicate what the object looks like in a direct simple way that speaks to your audience. So expect to do a lot of research, script analysis and paraphrasing of the play to make it your own. She also believed that an actor must completely understand the text of the play to be able to communicate it onstage without faking. Stella Adler believed that an actor’s most important tool is his mind. For example, if you are working on the ‘Where am I?’ in a scene, you will work out in your mind every minor detail of what surrounds you. If you study her acting techniques, you will spend a lot of time creating specific images for the circumstances of the play.
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Below is a short video where she discusses this “sense of epic” the actor must have.Īdler expected her students to prepare for every single activity and action they were going to have on stage. Her students learned to always bring a bigger meaning to the text. Adler encouraged actors never to be small.
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They must study the text and its ideas but also research the social situations of the play.Īctors need strong bodies and voices for the stage so they can bring size to their actions.